Research into film
continuity
Definitions:
The unbroken and consistent existence or operation of
something over time.
The maintenance of continuous action and self-consistent
detail in the various scenes of a film broadcast.
The 180
degree line of action:
In film making, the 180-degree rule is a basic
guideline regarding the on-screen spatial relationship between a character and
another character or object within a scene. An imaginary line called the axis
connects the characters, and by keeping the camera on one side of this axis for
every shot in the scene, the first character is always frame right of the
second character, who is then always frame left of the first. The camera
passing over the axis is called jumping the line or crossing the line;
breaking the 180-degree rule by shooting on all sides is known as shooting in
the round.
Example:
In a dialogue scene between two characters, a straight line can be imagined running between the two characters, and extending to infinity. If the camera remains on one side of this line, the spatial relationship between the two characters will be consistent from shot to shot, even if one of the characters is not on screen. Shifting to the other side of the characters on a cut will reverse the order of the characters from left to right and may disorient the audience.
The rule also applies to the movement of a character as the "line" created by the path of the character. For example, if a character is walking in a leftward direction and is to be picked up by another camera, the character must exit the first shot on frame left and enter the next shot frame right.
A jump cut can be used to denote time. If a character leaves the frame on the left side and enters the frame on the left in a different location, it can give the illusion of an extended amount of time passing.
Another example could be a car chase: If a vehicle leaves the right side of the frame in one shot, it should enter from the left side of the frame in the next shot. Leaving from the right and entering from the right creates a similar sense of disorientation as in the dialogue example.
This schematic shows the axis between two characters and the 180° arc on
which cameras may be positioned (green). When cutting from the green arc to the
red arc, the characters switch places on the screen.
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Shot Reverse Shot:
It is a
filming technique in which a character is shown looking at another character
which is then shown to be looking at the other character. Since they are shown
facing in opposite directions, the viewer from this assumes that they are
looking at one another.
Match on action:
Match on
action means that when something happens in the scene then when there is cut
the same piece of action must be going on. This is an example of continuity
editing and is very important in helping the audience continually understand
exactly what is happening.
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